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These types of lenses are transparent and solid in color. This type of tint works best for people with dark eyes who want to go dramatically lighter, such as going from dark brown to ice gray.Įnhancement: Enhancement-tint contact lenses boost your natural eye color. Opaque: Opaque-tint lenses are solid and non-transparent, offering a complete color change. You can go from a deep brown to a light hazel eye in a matter of seconds (or minutes, depending how long it takes you to get the contacts in).Ĭolored contact lenses come in three tints: Play around with the Horizontal Displacement amount until you’re happy with the look.The easiest and most common way to change your eye color temporarily is to wear contact lenses.In the Effects Control panel, change the Source for the Displacement Map to the comp you’ve just created and make the displacement comp invisible.Create a new Adjustment Layer and add to it a Displacement Map effect.Make sure to Move all Attributes to the new comp. Select your Black and White Solids, then Precompose them and name the layers Displacement Map.This should create a continuous rolling white bar across your text. Using Command+D or Control+D, duplicate your White Solid and place it at intervals along the timeline.Trim your White Solid layer to include the short animation. Using Position keyframes, animate the White Solid layer to move from the top to the bottom of the screen.Select the masked black layer and increase the feathering to remove any hard lines. Move the White Solid between the 2 Black Solids.Turn up the feathering for the White Solid layer, so it blends to the black. Create a White Solid layer and add a Mask to create a thin white stripe over the text.On the top of the 2 solids, create a Rectangle Mask that encompasses the title and a small portion of the stretched text.Start by adding 2 Black Solid layers to the bottom of the stack.The Displacement Map adds more movement, specifically to the stretched part of your Title, where it looks the most like liquid. Then play around with the Blend Mode to see the differences. Select the bottom 3 layers, and change the Mode setting to your preference.Note: If you cannot get your brush to interact with your text, click the Toggle Mask Path and Shape Visibility button at the bottom of the viewer. Each layer should look slightly different. Use the Brush to bend and warp the stretched areas of your text.For each layer, go to the Effects Control panel, select the finger icon, and then adjust the brush Size and Pressure to your preference.In the Effects panel, search for the Liquify effect and drag it to each of the 4 comps in the timeline.
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In your Effects Control panel, change the color for each of the bottom 3 layers.Go to the Effects panel and find the Fill effect.Duplicate the text 3 times using Command+D or Control+D so that you have 4 copies of the comp stacked on top of one another.You can choose any colors you may need to suit your brand or projects. Next, we’re going to add the Colored layers that create your Liquid Look. Call this one Scale Wipe and move all attributes to the new comp. Finally, Precompose your Base Text comp.Press U on your keyboard to view the keyframes and drag them around the timeline to adjust the duration of the effect.Move back in the timeline to where you want the effect to start and change the Stretch amount to 0.On the timeline, place your playhead where you want the animation to finish and create a keyframe for the Stretch value.Adjust the Center setting to move the point at which your text starts to scratch you want to ensure your text is readable.In the Effects Control panel, change the Direction and Stretch setting to create a stretched look to your preference.Search in your Effects panel for CC Scale Wipe and drag it to the composition.Call the new comp Base Text and ensure you move all attributes to the new comp.Center your text to the screen and pre-compose the layer by right-clicking and select Precompose.Create your composition and add your title using the Text tool.
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You can come back at any point and change the text, allowing you to use it on multiple projects without animating each time. The first step is to create your base text layer, by creating the title and housing it within its own comp. Using elements like displacement maps is a great skill to have, and once you understand this process, you’ll find plenty more ways to use these tools. Liquid text effects are a lot of fun to create, though they can seem a little complicated at times.
#After effects change solid color how to
Part 1: Learn How to Create Liquid Color Text in After Effects Part 2: Top 6 Liquid Color Text Templates for After Effects.Part 1: Learn How to Create Liquid Color Text in After Effects.